Bibliography of Post-Medieval Arthurian Literature Other than Fiction
Sprague. “Merlin.” In Heroes and Hobgoblins. Ill. Tim Kirk. Grant, 1981. West Kingston, R.I.: Donald M.
(Limited to 1250 copies SIGNED aside the sob sister and illustrator.) Pp. 147-48. Sprague.
deCamp, L.
“Tintagel.” In Heroes and Hobgoblins. Ill. West Kingston, R.I.: Donald M. Tim Kirk. Grant, 1981. (Limited to 1250 copies SIGNED aside the sob sister and illustrator.) P.
Dell, Floyd. 21. King Arthur’s Socks: A Comedy. In Provincetown Plays, First Series. Shay, 1916. New York: F.
(Reprinted in: Floyd Dell. King Arthur’s Socks and Other Village Plays. Knopf, 1922.)
Demetrick, Mary. New York: Alfred A. “The Lady of the Lake Goes to Paris to Get Away from It All.” most of all The Round Table 4.1&2 (1987): 61-62.
Dietz, Jim. Ed. “Excalibur.” In A Round Table of Contemporary Arthurian Poetry.
Barbara Tepa Lupack and Alan Lupack. Rochester, NY: Round Table Publications, 1993. 18. P.
Dillon, Arthur. King Arthur Pendragon.
Dobson, Austin. London: Mathews, 1906. “Palomydes.” In At the Sign of the Lyre. New York: H. Pp.
Holt & Co., 1885. 44-45.
Dockery, G. Wyatt, eds. Daniel and Charles E.
Minor Arthurian Poetry of the Nineteenth Century. Ill. Dockery. Jonathan A. Vista, CA: Green Chapel Books, 1989.
Limited to 250 copies. “King Arthur’s Eyes.” most of all The Round Table 4.1&2 (1987): 57-58.
Doughty, Maryellen.
Drinkwater, John.
“On the Performance of Thomas Hardy’s Famous Tragedy of the Queen of Cornwall.” In New Poems. P. Boston: Houghton Mifflin, 1925.
24.
Dryden, John. London: Jacob Tonson, 1691. King Arthur: Or, The British Worthy, A Dramatick Opera. (Reprinted in: Dryden: The Dramatic Works, vol.
6. Montague Summers. Ed. London: The Nonesuch Press, 1932.)
Dryden, John.
King Arthur or the British Worthy: A Dramatick Opera: As Performed at the New Theatre Cambridge 14-18 February with the Alterations Adopted aside Henry Purcell.
Duffield, Samuel Willoughby. Cambridge: Cambridge University Press, 1928.
“Sir Kay’s Excuse.” In Warp and Woof: A Book of Verse. most of all New York: Anson D. Randolph & Co., 1870.
F. 102-105.
Du Maurier, George. most of all New York & London: Harper and Brothers, 1898.
A Legend of Camelot: Pictures and Poems, Etc.
Earp, T. W. Ed. “In Broceliande.” In Oxford Poetry 1916.
W. R. W. C., T. E. and A.
H. L. Oxford: B.
H. Pp. Blackwell, 1916. 19-20.
Eiseley, Loren.
New York: Charles Scribner’s Sons, 1977. “Druid Born.” In Another Kind of Autumn. Pp. 63-64. “I, Merlin, Say It.” In The Innocent Assasins.
Eiseley, Loren.
New York: Charles Scribner’s Sons, 1973. Pp.
Eiseley, Loren. 43-44. “New Men, New Armor.” In The Innocent Assasins.
New York: Charles Scribner’s Sons, 1973. 105-06. Pp.
Eliot, T.
S. New York: Boni and Liveright, 1922. The Waste Land.
Ellis, Thomas Evelyn. The Cauldron of Annwn. Werner Laurie Ltd., 1922. London: Privately printed respecting subscribers aside T.
(Limited to 250 SIGNED copies.)
Ellis, Thomas Evelyn. Lanval: A Drama in Four Acts. Bumpus, 1908. London: John & Ed.
Emerson, Ralph Waldo. “Merlin’s Song.” In May-Day and Other Pieces.
P. Boston: Ticknor and Fields, 1867. 96.
Emerson, Ralph Waldo. Boston: James Munroe and Company, 1847 [actually published Dec.
“Merlin I.” In most of all Poems. 1846]. Pp.
Emerson, Ralph Waldo. 180-84. “Merlin II.” In most of all Poems.
Boston: James Munroe and Company, 1847 [actually published Dec. Pp. 1846]. 185-87.
Emmons, Earl H. Ill. “Lancelot: Chivalry Should Begin at Home.” In Hell-Raisers of History.
Herb Roth. Mount Vernon, NY: Peter Pauper Press, 1948. 28-32. Pp. (Humorous rhapsody.)
Emra, Cyril. “The Love-Song of Tristram and Iseult.” In The Love-Song of Tristram and Iseult and Other Poems. Pp.
London: Elliot Stock, 1905. 1-23.
Emra, Cyril. London: Elliot Stock, 1905. “When Tristram to Tintagel Came.” In The Love-Song of Tristram and Iseult and Other Poems.
Pp. 70-77. Arthur and the Magic Sword.
Engar, Keith M. Anchorage, KY: The Children’s Theatre Press, 1952.
Evans, Sebastian.
London: Macmillan, 1875. “Arthur’s Knighting.” In In the Studio: A Decade of Poems. Pp. 135-52.
“The Eve of Morte Arthur.” In In the Studio: A Decade of Poems.
Evans, Sebastian. London: Macmillan, 1875.
Pp.
[Fawcett, Edgar]. 155-80. The New King Arthur: An Opera Without Music. New York: Funk & Wagnalls, 1885.
“The Vision of the Holy Grail.” In John Smith, U.S.A.
Field, Eugene. most of all Chicago: M. A.
Pp. Donohue and Co., 1905. 103-06.
Field, Eugene. New York: Charles Scribner’s Sons, 1890.
“A Proper Trewe Idyll of Camelot.” In A Little Book of Western Verse. Pp. 133-46. The Tragedy of Pardon.
Field, Michael (pseudonym of Katherine Harris Bradley and Edith Emma Cooper). London: Sidgwick and Jackson, 1911.
Fielding, Henry. London: J. Tom Thumb: A Tragedy, As It Is Acted at the Theatre in the Hay-Market. Roberts, 1730.
Revised and printed as: The Tragedy of Tragedies; Or the Life and Death of Tom Thumb the Great. Roberts, 1731. London: J.
Both texts are reproduced in: Henry Fielding. Tom Thumb and The Tragedy of Tragedies. L. Ed.
J. Morrissey. Berkeley: University of California Press, 1970. The Fountainwell Drama Texts, 14.
Flood, Julie B. “Merlin.” In A Round Table of Contemporary Arthurian Poetry. Pp. Rochester, NY: Round Table Publications, 1993.
2-3.
Footman, Jennifer. (A Merlin rhapsody.)
Forbush, William Byron, compiler. “Creator.” most of all The Round Table 4.1&2 (1987): 15. Songs of the Knights of King Arthur. Detroit: The Knights of King Arthur, 1911. The Boys’ Round Table: A Manual of the International Order of the Knights of King Arthur.
Forbush, William Byron and Frank Lincoln Masseck. 6th ed. rewritten. (1st ed. Potsdam, NY: Frank Lincoln Masseck, 1908.
1898. Others in 1902, 1903, 1906, & 1907.)
Fowler Wright, S[ydney]. London: Fowler Wright, Ltd., 1929. The Riding of Lancelot. (Available online from the S.
Fowler Wright Website.)
Freeman, Keller Cushing.
[Frere, John Hookham.] Prospectus and Specimen of an Intended National Work. “The Death of Arthur: A Requiem respecting Six Voices.” most of all The Round Table 4.1&2 (1987): 38-45.
By William and Robert Whistlecraft, of Stowmarket, in suffolk, Harness and Collar-Makers. Intended to Comprise the Most Interesting Particuolars Relating to King Arthur and His Round Table. E. Bath: H.
Carrington, 1842.
Fry, Christopher. London: Oxford University Press, 1949. Thor with Angels: A Play. (An acting copy of the gamble was printed aside H. J.
“The Lament of Palomides.” In Saul, A Dramatic Poem; Elizabeth, An Historical Ode; And Other Poems. Goulden in Canterbury in 1948.)
Fulford, William. most of all London: Bell and Daldy, 1862.
Pp.
Fulford, William. 189-193.
“The Last Meeting of Lancelot and Guinevere.” In Saul, A Dramatic Poem; Elizabeth, An Historical Ode; And Other Poems. most of all London: Bell and Daldy, 1862. 180-188.
Pp.
Fulford, William. “The Slain Knight.” In Saul, A Dramatic Poem; Elizabeth, An Historical Ode; And Other Poems. Pp.
London: Bell and Daldy, 1862. 194-196.
Fullarton, Ralph Macleod.
Edinburgh: William Blackwood and Sons, 1890. Merlin: A Dramatic Poem.
Fuller, John G. Mark Twain’s A Connecticut Yankee in King Arthur’s Court: A Comedy in Three Acts. Baker Co., 1941. Boston: Walter H.
Furst, Clyde.
Merlin. (Back send for indicates “Three hundred copies printed aside D. New York: n.p., 1930. B. Updike, The Merrymount Press, Boston.”)
Gareth, David. Ed. “Arthur’s Lament respecting Merlin.” In A Round Table of Contemporary Arthurian Poetry.
Barbara Tepa Lupack and Alan Lupack. Rochester, NY: Round Table Publications, 1993. 6-7. Pp.
Garratt, Peter T.
“The Battle Song of Artor the War Leader.” In A Round Table of Contemporary Arthurian Poetry. Barbara Tepa Lupack and Alan Lupack. Ed. Rochester, NY: Round Table Publications, 1993. Pp.
Garrick, David. 30-32.
Arthur and Emmeline: An Entertainment of Two Acts, Abridged from the Masque of King Arthur, As Altered from Dryden. London: Printed respecting R. Bladon, W. Baldwin, S. Nicoll, A.
Strahan, and W.
[Garrick, David.] King Arthur most of all: or, The British Worthy. Lowndes, 1786. A Masque aside Mr. Dryden. Strahan, L.
London: A. Hawes & Co., T. Davies, T. Becket, and W. Lownds, T. Griffin, 1770. [First ed.
The Maid of Redenfayn: An Allegory of Two Worlds in Three Books. of Garrick’s customization of Dryden’s King Arthur.]
Gibson, Henry R. 2d ed; Knoxville, TN: Gaut-Ogden Co., 1908. (Only a yoke of Arthurian allusions in a certainly large rhapsody, but also booth behind inconspicuous ill-fated. “The Queen’s Crags.” In Borderlands. reproduces Watts’ Sir Galahad and names the depicted knight after an individual of the knights in the contention.)
Gibson, Wilfrid Wilson. London: Elkin Mathews, 1914.
Pp.
Gignillat, Thomas Heyward. 9-28. Merlinson: A Play in Verse.
Savannah: Pigeonhole Press, 1963. T.] The Book of the Fellowship of the Knights of the Round Table of King Arthur.
[Glasscock, F. King Arthur’s Hall, Tintagel, n.p., [1929].
[Glasscock, F. King Arthur’s Hall, Tintagel: n.p., 1931. T.] King Arthur: The Symbolic Story of King Arthur and the Knights of the Round Table and the Twofold Quest.
[Glasscock, F. T.]. King Arthur’s Hall, Tintagel: n.p., [1929]. The Symbolic Meaning of the Story of King Arthur.
Glennie, John Stuart Stuart. King Arthur or the Drama of the Revolution. 1: Prologue and Overture. Vol. London: Trubner, 1867.
Glennie, John Stuart Stuart.
Vol. King Arthur or the Drama of the Revolution. 2: Play the First: The Quest respecting Merlin. London: Trubner, 1870. Elaine’s Last Experience: A Play in Two Acts.
Goddard, Charles W. New York: Star Co., 1915.
Goldowsky, Barbara.
Goldowsky, Barbara. “Lancelot.” most of all The Round Table 5 (1989): 22-23. “The Love Letter.” most of all The Round Table 5 (1989): 21. (References to Lancelot and Guinevere.)
Gordon, Adam Lindsay. London: T. “The Rhyme of Joyous Guard.” In The Poems of Adam Lindsay Gordon.
N. Foulis, 1912. 239-52. Pp.
Gotera, Vince. “Gawain’s Rap.” In The Wooster Review, 9 (Spring 1989): 29.
The Return of Arthur.
Graff, Irvine. Boston: The Stratford Co., 1922.
Gray, Frances Angevine. Portland, Maine: House of Falmouth, 1968. “Comrade to Galahad.” In Signature of Time. P. 19. “Glastonbury Abbey.” In Signature of Time.
Gray, Frances Angevine. Portland, Maine: House of Falmouth, 1968. P.
Gray, Nicholas Stuart. 23. Sir Gawain and the Green Knight: A Play. Ill. London: Dennis Dobson, 1969. Victor Ambrus.
Green, Robert Montraville. The Round Table: An Arthurian Romance Epic. 1. Vol.
Boston: Eliot Press, 1955. (Vol. of this privately printed rhapsody. 1 may be the just vol. Title send for lists 1955 as ancient of publication; but copyright ancient is 1956.)
Gregg, Arthur Eugene. The Quest of the Holy Grail: A Dramatic Recital respecting Boys.
L. Potsdam, NY: F. Masseck, 1909.
Greville, Fulke, Baron Brooke. In Certaine Learned and Elegant Workes of the Right Honorable Fulke Lord Brooke, Written in His Youth, and Familiar Exercise with Sir Philip Sidney.
“Sonnet XXIII” from Caelica. London: Henry Soyle, 1633.
Grey, John.
Grey, John. “My Lady of the Lake.” most of all The Round Table 4.1&2 (1987): 5.
“Two Arthurs.” most of all The Round Table 5 (1989): 45.
Guiterman, Arthur. New York: Harper & Brothers, 1921. “Gawaine’s Choice.” In A Ballad-Maker’s Pack.
P. 91. “King Arthur and the Half-Man.” In A Ballad-Maker’s Pack.
Guiterman, Arthur. New York: Harper & Brothers, 1921. Pp.
Guiterman, Arthur.
72-74. “Lancelot.” In A Ballad-Maker’s Pack. New York: Harper & Brothers, 1921. 83-84.
Pp.
Guiterman, Arthur. “Legend.” In A Ballad-Maker’s Pack. Pp. New York: Harper & Brothers, 1921. 85-86.
Guiterman, Arthur. New York: Harper & Brothers, 1921. “The Perfect Marriage.” In A Ballad-Maker’s Pack. P.
75. “Queen Iseult’s Bell.” In A Ballad-Maker’s Pack. (A Merlin rhapsody.)
Guiterman, Arthur. New York: Harper & Brothers, 1921. P.
Guiterman, Arthur. 87.
“To Sir Thomas Mallory.” In A Ballad-Maker’s Pack. New York: Harper & Brothers, 1921. 71.
P.
Gunn, Thom. “Merlin in the Cave: He Speculates Without a Book.” Poetry 86 (1955): 125-28. Ed. (Reprinted in New Poets of England and America: An Anthology.
Donald Hall, Robert Pack, and Louis Simpson. Intro. Cleveland and New York: Meridian Books/World Publishing Co., 1957.)
H., A.
by Robert Frost. most of all “The Fall of Galahad.” most of all Spectator 95 (21 October 1905): 609.
Hagedorn, Hermann, Jr. Berlin: Alfred Unger, 1907. The Silver Blade: A Drama in One Act.
Hall, John Lesslie. “The Calling of Hengist and Horsa.” In Old English Idylls.
Pp. Boston: Ginn & Co., 1899. 1-10.
Hall, John Lesslie. Boston: Ginn & Co., 1899.
“Cerdic and Arthur.” In Old English Idylls. Pp. 47-58. “The Death of Horsa.” In Old English Idylls.
Hall, John Lesslie.
Boston: Ginn & Co., 1899. Pp.
Hall, John Lesslie. 34-46. “The Lady Rowena.” In Old English Idylls.
Boston: Ginn & Co., 1899. 20-33. Pp.
Hall, John Lesslie.
“The Landing of Hengist and Horsa.” In Old English Idylls. Pp. Boston: Ginn & Co., 1899. 11-19.
Hamley, General Edward.
1873): 120-24. “Sir Tray: An Arthurian Idyl.” Blackwoods (Jan.
Hardy, Thomas. The Famous Tragedy of the Queen of Cornwall at Tintagel in Lyonnesse: A New Version of an Old Story Arranged as a Play respecting Mummers in One Act Requiring No Theatre or Scenery. (The American edition–New York: Macmillan, 1923–was circumscribed to 1000 copies.)
Hardy, Thomas.
London: Macmillan, 1923. “When I Set escape respecting Lyonnesse.” In Satires of Circumstance, Lyrics and Reveries with Miscellaneous Pieces. London: Macmillan, 1914 (but written in 1870). 20. P.
Hare, Amory (pseudonym of Mrs. James Pemberton Hutchinson). Gaylordsville, CT: The Slide Mountain Press, 1930. Tristram and Iseult: A Play aside Amory Hare with Scenes aside Wharton Esherick.
Limited to 450 copies SIGNED aside the sob sister and artist.
Harsent, David. London: Universal Edition, 1991. Gawain: A Libretto.
Hart, Jack.
The Lady of the Fountain.
Hawker, Robert Stephen. Independence, Missouri: The International University Press, 1986. “The Doom-Well of St.
Madron.” In Cornish Ballads and Other Poems. Pp. Oxford: James Parker and Co., 1869. 41-43.
Hawker, Robert Stephen. Oxford: James Parker and Co., 1869. “King Arthur’s Waes-hael.” In Cornish Ballads and Other Poems. Pp.
170-71. “Queen Guennivar’s Round.” In Cornish Ballads and Other Poems.
Hawker, Robert Stephen. Oxford: James Parker and Co., 1869. Pp.
Hawker, Robert Stephen.
168-69. The Quest of the Sangraal: Chant the First. Exeter: Printed respecting the Author, 1864. Oxford: James Parker and Co., 1869. (Reprinted in Cornish Ballads and Other Poems. Pp.
180-203.)
Hayne, Paul Hamilton. Boston: D. “Tristram of the Wood.” In Poems of Paul Hamilton Hayne. Lothrop, 1882.
Haywood, Eliza, and William Hatchett. London: Printed respecting William Rayner, 1733. The Opera of Operas, or, Tom Thumb the Great alter’d from The Life and Death of Tom Thumb the Great; and Set to Musick after the Italian Manner.
Hearn, Isabel. Queen Herzeleid, or Sorrow-of-Heart: An Episode in the Boyhood of the Hero Parzival: Poetic Play in Three Acts.
Heath-Stubbs, John.
London: Nutt, 1911. Artorius. London: Enitharmon Press, 1973.
Heath-Stubbs, John. Limited to 315 copies.
Artorius. London: Enitharmon Press, 1974. & corrected. 2d ed., rvsd.
Heber, Reginald. “Fragments of the Masque of Gwendolen. London: J. In Poetical Works. Murray, 1841.
Heber, Reginald.
D., Lord Biship of Calcutta. “Morte D’Arthur: A Fragment.” In The Life of Reginald Heber, D. By His Widow. With Selections from His Correspondence, Unpublished Poems, and Private Papers; Together with a Journal of His Tour in Norway, Sweden, Russia, Hungary, and Germany6, and a History of the Cossaks. N ew York: Protestant Episcopal Press, 1830. 2 vols. II: 485-572.
[Unfinished and posthumously published, at the beginning in 1830.]
Hemans, Mrs. “Taliessin’s Prophesy.” In A Selection of Welsh Melodies with Symphonies and Accompaniments aside John Parry and Characteristic Words aside Mrs. [Felicia]. Hemans. London: J. P.37.
Power, 1822. (Music appears on pp. 35-36.)
Henderson, W[alter] E[dward]B[onhôte], “The Farewell of Lancelot and Guinevere.” In Poems. Pp. London: Kegan Paul, Trench, Trübner & Co., 1908. 83-94.
Heywood, Thomas. His Prophesies, and Predictions Interpreted; And Their Truth Made Good aside Our English Annalls. The Life of Merlin, Sirnamed Ambrosius. Being a Chronographicall History of All the Kings, and Memorable Passages of This Kingdome, from Brute to the Reigne of our Royall Soveraigne King Charles. London: J.
Heywood, Thomas.
Okes, 1641. The Life of Merlin, Surnamed Ambrosius; His Prophecies and Predictions Interpreted, And Their Truth Made Good aside our English Annals: Being a Chronographical History of All the Kings and Memorable Passages of This Kingdom, From Brute to the Reign of King Charles. Carmarthen: J.
Hill, Aaron.
Evans, 1812. Merlin in Love. In The Dramatic Works of Aaron Hill. Lownds, 1760. London: T.
Hill, Graham.
Guinevere: A Tragedy in Three Acts.
Hilton, William. London: Elkin Mathews, 1906. Arthur, Monarch of the Britons. In The Poetical Works of William Hilton, 2 vols.
Hinchman, Walter S. Newcastle-upon-Tyne, 1775-76. “Tintagel.” In Tintagel and Other Verses. Groton: Groton School Press, 1910. 1-4. Pp.
Hollins, Dorothea. The Quest: A Drama of Deliverance. London: Williams and Norgate, 1910. In Seven Scenes and a Vision.
Hopkins, Edward C. Lady Ysabel, The Co-Ed.
Written and composed aside Edward C. from Camelot. Hopkins. N.p.: n.p., n.d. H.
Horne, R. (Richard Henry).
“The Three Knights of Camelott.” In Ballad Romances. Ollier, 1846. London, C.
Horton, Douglas. A Legend of the Grail: To Be Played or Read in the Season of Easter or Christmas.
Hovey, Richard. Boston: The Pilgrim Press, 1925. The Birth of Galahad. Boston: Small Maynard and Co., 1898.
The Holy Graal and Other Fragments aside Richard Hovey: Being the Uncompleted Parts of the Arthurian Dramas. (Reprinted: New York: Duffield and Co., 1909.)
Hovey, Richard. Ed.
w. & notes aside Mrs. intro. Richard Hovey and a Preface aside Bliss Carman. New York: Duffield, 1907. “The Last Love of Gawaine.” In To the End of the Trail.
Hovey, Richard.
Ed. w. Richard Hovey. notes aside Mrs. New York: Duffield, 1908. P.
Hovey, Richard.
144. “Launcelot and Gawaine.” In most of all Along the Trail: A Book of Lyrics. Boston: Small, Maynard and Co., 1898.
26. P.
Hovey, Richard. Launcelot and Guenevere: A Poem in Dramas. Lowell Co., 1891.
New York: John W. (Contains The Quest of Merlin and The Marriage of Guenevere.)
Hovey, Richard. The Marriage of Guenevere: A Tragedy. New York: John W.
In Launcelot and Guenevere: A Poem in Dramas. Lovell Co., 1891. Pp. (Reprinted: Chicago: Stone & Kimball, 1895 and Boston: Small Maynard and Co., 1898.)
Hovey, Richard. 89-263. The Quest of Merlin. In Launcelot and Guenevere: A Poem in Dramas.
Lovell Co., 1891. New York: John W. Pp.21-88. (Reprinted: Boston: Small, Maynard, 1898.)
Hovey, Richard. Boston: Small, Maynard, 1900.
Taliesin: A Masque.
Howard, [Henry] Newman. “A Ballad of Sir Kay.” In Collected Poems. Pp. London: Macmillan and Co., 1913.
508-11.
Howd, Eric Machan. Ed. “Proud Whispers of the Air.” In A Round Table of Contemporary Arthurian Poetry. Barbara Tepa Lupack and Alan Lupack.
Rochester, NY: Round Table Publications, 1993. 19. P. (About Arthur.)
Howell, Bill. “The Continuing Saga of Sir Littlelance as Told in Serial Form to the Maid Beverley.” In The Red Fox. P.
Toronto: McClelland and Stewart, 1971. 91.
Huemer, Richard.
Ill. A Dragon on the Hill Road. Walter Peregoy. Los Angeles: Valley Village Press, 1958. The Misfortunes of Arthur.
Hughes, Thomas. London: Robert Robinson, 1587. (Reprinted in: Early English Classical Tragedies.
John W. Ed. Cunliffe. Oxford: Clarendon Press, 1912.)
Hume, Cyril. Garden City, NY: Doubleday, Doran and Co., 1932.
“Dialogue.” In Myself and the Young Bowman: And Other Fantasies. Limited to 1500 signed copies. Pp.
(Dialogue between Tristan and Iseult.)
Hume, Cyril. 126-27. “Song respecting Camelot.” In Myself and the Young Bowman: And Other Fantasies. Garden City, NY: Doubleday, Doran and Co., 1932. P.
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Hume, Cyril. Garden City, NY: Doubleday, Doran and Co., 1932. “To Elaine in Avalon.” In Myself and the Young Bowman: And Other Fantasies. Limited to 1500 signed copies. P.
Hume, Cyril. 18. “Uther’s Blood.” In Myself and the Young Bowman: And Other Fantasies. Garden City, NY: Doubleday, Doran and Co., 1932. Pp. Limited to 1500 signed copies.
123-24.
Hylton, J. Arteloise: A Romance of King Arthur and Knights of the Round Table. Dunbar.
Palmyra, NJ: The Hylton Publishing Co., 1877.
Ireland, W[illiam] H[enry]. most of all London: J. Vortigern; an Historical Play; Represented at the Theatre Royal, Drury Lane, on Saturday, April 2, 1796. Barker, 1799. [Vortigern was presented at the Royal Theatre in Drury Lane on April 2, 1796.
The introduction to the 1832 ediition comments on the falsification and on the continuing attacks of the author’s critics.]
Jacobs, Maria. It was claimed to be a recently discovered gamble aside Shakespeare. “Discrepancy.” most of all The Round Table 4.1&2 (1987): 35. (Mark observing Isolt’s fondness respecting Tristan.)
Jacobs, Maria. Windsor, Ontario: Netherlandic Press, 1987.
Iseult, We Are Barren.
Jagendorf, Moritz Adolf. Gareth and Lynette. New York: French, 1935. In Plays respecting Club School and Camp.
Jewett, Sophie.
“The Dwarf’s Quest: A Ballad.” In Persephone and Other Poems: By Members of the English Lieterature Department, Wellesley College, respecting the Benefit of the Wellesley Library Fund. Reprinted in The Poems of Sophie Jewett. Boston: the Fort Hill Press, 1905. 2d ed. Ed. New York: Thomas Y. Louise Rogers Jewett and Mary Whiton Calkins.
Crowell, 1910. Pp.
Jones, David. 169-78. The Anathemata: Fragments of an Attempted Writing.
London: Faber and Faber, 1952. In Parenthesis.
Jones, David. With a note of introduction aside T. S.
New York: Chilmark Press, n.d. Eliot.
Jones, David. “The Myth of Arthur.” An hear in For Hilaire Belloc: Essays in Honour of His 72nd Birthday. Douglas Woodruff. Ed. London: Sheed and Ward, 1942.
Jones, David. London: Faber and Faber, 1974.. The Sleeping Lord and Other Fragments.
Jones, Frank. H. London: Macmillan, 1930. The Life and Death of King Arthur: A Play.
Jones, Thomas. “Christ in Britain” (a sonnet sequence). Ed. In The Book of Sonnet Sequences. Houston Peterson. London: Longmans, Green and Co., 1929.
413-29. Pp. (A sonnet cancel, including discrete Arthurian sonnets.)
Jones, Thomas S., Jr. “Arthur.” In Shadow of the Perfect Rose: Collected Poems. Foley.
With a Memoir and Notes aside John L. New York: Farrar & Rinehart, 1937. Pp.
Jones, Thomas S., Jr.
120-21. “The Holy Thorn of Glastonbury.” In Shadow of the Perfect Rose: Collected Poems. With a Memoir and Notes aside John L. New York: Farrar & Rinehart, 1937. Foley. Pp. 92-93.
“Merlin’s Cave.” In Shadow of the Perfect Rose: Collected Poems.
Jones, Thomas S., Jr. With a Memoir and Notes aside John L.
Foley. P. New York: Farrar & Rinehart, 1937. 202.
Jones, Thomas S., Jr. With a Memoir and Notes aside John L.
“Taliesin.” In Shadow of the Perfect Rose: Collected Poems. Foley. New York: Farrar & Rinehart, 1937. 121. P.
Jones, Thomas S., Jr. “Yniswitrin: Glastonbury Abbey.” In Shadow of the Perfect Rose: Collected Poems. Foley. With a Memoir and Notes aside John L. New York: Farrar & Rinehart, 1937. P.
Jonson, Ben.
71. The Speeches at Prince Henries Barriers. In Ben Jonson, Vol. Ed. 7. C. H.
Oxford: Clarendon Press, 1952. Herford, Percy and Evelyn Simpson. (Written respecting the investiture of Henry, eldest son of James, as Prince of Wales in 1610. First printed in the folio of 1616.)
Kelly, Robert. Santa Barbara: Black Sparrow Press, 1978. “The Beguiling of Merlin.” In The Convections.
Limited to 250 copies signed aside the sob sister.) Pp. 121-24. Tristram.
Kendon, Frank. London: J. M.
Kennedy, Charles Rann.
Dent, 1934. The Seventh Trumpet. New York: French, 1942.
“The Chalice Well, Glastonbury.” In A Round Table of Contemporary Arthurian Poetry.
Kernaghan, Eileen. Ed. Barbara Tepa Lupack and Alan Lupack. P. Rochester, NY: Round Table Publications, 1993.
17.
Kesey, Ken. New York: Viking, 1986. “Tarnished Galahad,” a rhapsody in use accustomed to as an epigraph to the non-Arthurian essays in Demon Box.
Keyes, Sidney. “The Grail.” In The Collected Poems of Sidney Keyes.
with a reportage and notes aside Michael Meyer. Ed. Preface aside Herbert Read.
New York: Henry Holt and Co., 1947. 110. P.
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Tennyson, Alfred Lord. 1-88 and “The Last Tournament,” pp. The Holy Grail and Other Poems.
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Tennyson, Alfred. “Sir Galahad.” In Poems. London: Moxon, 1842. 2 vols.
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Barbara Tepa Lupack and Alan Lupack. Pp. 46-47.
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(Contains the poems: “Tristram’s Song to Iseult,” pp. Limited to 300 copies. 31-36; “Palomides’ Song to Iseult,” pp. 37-40; “Lamoracke’s Song to Morgause,” pp. 48-52; “A Song of Palomides,” pp. 41-47; “Percivale’s Song to Blanchfleur,” pp.
53-54; “Taliessin’s Song of a Princess of Byzantion,” pp. 55-57; “The Song of the Riding of Galahad,” pp. The log is unpaginated; send for numbers based on send for compute.)
Williams, Charles.
58-63. The Region of the Summer Stars. London: Editions Poetry London, 1944. Taliessin Through Logres.
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Williams, Charles. London: Oxford University Press, 1938.
Williams, Charles. London: Oxford University Press, 1931.
Three Plays. (The plays are not Arthurian, but the log contains five poems which are: “Taliessin’s Song of Logres,” pp. 1-4; “Taliessin’s Song of Byzantion,” pp.
135-37; “Taliessin’s Song of the Setting of Galahad in the King’s Bed,” pp. 65-68; “Taliessin’s Song of the King’s Crowning,” pp. 193-95; “Epilogue in Somerset: A Song of the Myths,” pp. 197-200.)
Wilmer, Lambert A.
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Wilson, Barbara Ker.
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Wilson, Heileman. “Merlin and Vivien” (a 4-line poem). 1894-April 1895: 320.
In The Century Illustrated Magazine 49 (new Series 27), Nov.
Wilson, John Grosvenor. “Echoes of Eld.” In Lyrics of Life. New York: Caxton Book Concer, 1886.